{"id":10240,"date":"2019-12-11T15:27:02","date_gmt":"2019-12-11T15:27:02","guid":{"rendered":"https:\/\/portraitonpastel.com\/?p=10240"},"modified":"2019-12-11T15:27:02","modified_gmt":"2019-12-11T15:27:02","slug":"pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel-3","status":"publish","type":"post","link":"https:\/\/portraitonpastel.com\/en\/pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel-3\/","title":{"rendered":"Pastel painting exhibition; \u201cTouching the color, The renewal of Pastel\u201d (3)"},"content":{"rendered":"

Impressionism, a Rebirth<\/strong><\/p>\n

Among artists renowned for their use of pastel, impressionists are frequently included. This handy material \u2013that allows artists to work swiftly and in the open air- is truly compatible with their aesthetic. Nevertheless, the Impressionists who were most passionate about pastel have a true predilection for the representation of the human figure.<\/p>\n

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Edgar Degas 1834-1917, \u201cAfter the Bath\u201d, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

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Edgar Degas 1834-1917, \u201cAfter the Bath\u201d detail, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

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Edgar Degas 1834-1917, \u201cAfter the Bath\u201d detail, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

Such is the case with an artist who maintained a tangential relationship with this trend: Giuseppe De Nittis, whose elegant scenes bathed by the light of a sunny garden or under the grey sky of an autumn park are very successful and sweep with all the honors under the noses of his impressionists’ friends.<\/p>\n

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Edgar Degas (1834-1917) \u201cUnhappy Nelly\u201d, 1885, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

Edgar D\u00e9gas also explores modern life (coffee-theatre scenes, ballets in the Opera, women ironing, etc\u2026) but without knowing the same success.<\/p>\n

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Pierre-Auguste Renoir (1841-1919), \u201cChild with an Apple or Gabrielle, Jean Renoir and a Little Girl\u201d, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

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\u201cChild with an Apple or Gabrielle, Jean Renoir and a Little Girl\u201d detail, 1895, \u00a9photo by Bogra<\/p><\/div>\n

Wounded in the most vivid he would respond to his Italian colleague, who had already passed away at the time, with his famous series of female nudes, whose triviality opposes the focus on elegance that granted De Nittis so much praise. This usage of pastel is much more defiant and perfectly illustrates Dega\u00b4s famous adagio: \u201cGrace is in common things\u201d<\/p>\n

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Pierre-Auguste Renoir (1841-1919), \u201cThe Theater Box\u201d 1879, \u00a9photo by Bogra art studio<\/p><\/div>\n

On his part, Pierre-Auguste Renoir, whose work is indefectibly linked to the female figure, take the pastels to run with agile, effigies full of charm. Renoir, whose passion for the eighteenth century is notorious, rediscovers with this medium the joy of his illustrious precursors, who, like him, handled the pastels with apparent ease.<\/p>\n

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Henry Tonks (1862-1937), “The Toilet”, 1914, \u00a9photo by Bogra 2019<\/p><\/div>\n

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Henry Tonks (1862-1937), “The Toilet” detail, 1914, \u00a9photo by Bogra 2019<\/p><\/div>\n

The 20th Century: From symbol to Gesture<\/strong><\/p>\n

The use of pastel in the early 20th cannot be understood without the mastery of Odilon Redon nor without the diffuse spirituality of late Symbolism, that stems from parts of the language used by the Avant-garde: Joseph Stella, the first Theo Van Doesburg, Otto Freundlich or Joaquim Mir demonstrate how the transnational language of the turn of the century settles within and foreshadow abstraction.<\/p>\n

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Odilon Redon (1840-1916) \u201cFlowers\u201d, 1909, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n

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Odilon Redon (1840-1916) \u201cFlowers\u201d, detail, 1909, \u00a9Bogra art studio, 2019<\/p><\/div>\n

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\u201cPastel painting exhibition\u201d, \u201cTouching Color\u201d, The renewal of Pastel, photo by \u00a9photo by Bogra<\/p><\/div>\n

These creators distanced themselves from the debate over hierarchy of techniques: pastel was not imbued with greater or lesser nobility; it simply facilitates the enunciation of a particular message.<\/p>\n

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Joaquim Mir (1873-1940), \u201cLandscape\u201d 1900-1903, photo by \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

This is the role it takes in the Works of the more classical Pablo Picasso, such a Study of hands<\/em>, or in The reaper by Pablo Gargallo, where he supports skin-like textures and provides sweetness and chromatic richness that is recovered after cubism.<\/p>\n

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Joan Mir\u00f3 (1893-1983) \u201cFigure\u201d 1934, The renewal of Pastel, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n

In an unbiased way, Joan Mir\u00f3 also resorts to pastel: decades after the juvenile Bellver Forest, he returns to the medium in a fundamental chapter of savage paintings from 1934, countering the elegant pastel portraits of the previous century.<\/p>\n

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Roberto Matta (1911-2002) \u201cL`Opresavio y L\u00b4Opresente\u201d, 1986, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n

While fellow artists, such as Roberto Matta or Andr\u00e9 Masson, recall how surrealism found the pastel to be one of the methods by which to transfer the relationship between the hand and the pencil, characteristic of automatic writing, into painting.<\/p>\n

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Marie Blanchard (1881-1932) \u201cLa Bretonne\u201d, 1928, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n

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Am\u00e9d\u00e9e Ozenfant (1886-1966) \u201cStill Life\u201d, 1925, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n

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Am\u00e9d\u00e9e Ozenfant (1886-1966) \u201cStill Life in an Oval\u201d, 1928, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n

A link that has its final accent in the work of Hans Hartung, who reactive pastel as a type of painting where previously rehearsed personal spellings reverts the idea of automatisms through the ritual of repetition. Hartung exemplifies the way in which 20th<\/sup>century artists touched color with iconoclastic and multi-formed gestures of their hands until they are able to expand the frontiers of pastel, liberated from prejudice, emancipated from its own history.<\/p>\n

\"\"

George Hendrik Breitner, \u201cTwo Amsterdam Household Maids\u201d, 1892, photo by \u00a9Bogra , 2019<\/p><\/div><\/p>","protected":false},"excerpt":{"rendered":"

Impressionism, a Rebirth Among artists renowned for their use of pastel, impressionists are frequently included. This handy material \u2013that allows artists to work swiftly and in the open air- is truly compatible with their aesthetic. Nevertheless, the Impressionists who were most passionate about pastel have a true predilection for the representation of the human figure. […]<\/p>\n","protected":false},"author":4,"featured_media":10156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[110,145,174,176,252,272,277,284,292],"tags":[317,80,82,83,91,100,112,125,179,198,299,300,314,315,316],"class_list":["post-10240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pastel-portrait","category-museum","category-art-exhibition","category-painting-exhibition","category-portraiture","category-exhibition","category-france","category-history","category-pastel-painting","tag-pastel-exhiibit","tag-drawing-portraits","tag-color-portrait","tag-handmade-painting","tag-pastel-portraits","tag-portraiture","tag-history","tag-art","tag-exhibition","tag-museum","tag-renoir","tag-degas","tag-impressionist-painters","tag-impressionisme","tag-odilon-redon"],"yoast_head":"\nPastel painting exhibition; \u201cTouching the color, The renewal of Pastel\u201d (3) - Pastel Portraits<\/title>\n<meta name=\"description\" content=\"Among artists renowned for their use of soft pastel, impressionists are frequently included. 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