{"id":10137,"date":"2019-11-20T13:24:10","date_gmt":"2019-11-20T13:24:10","guid":{"rendered":"https:\/\/portraitonpastel.com\/?p=10137"},"modified":"2019-11-20T13:26:24","modified_gmt":"2019-11-20T13:26:24","slug":"pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel","status":"publish","type":"post","link":"https:\/\/portraitonpastel.com\/es\/pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel\/","title":{"rendered":"Exposici\u00f3n de Pastel, &#8220;Tocar el color&#8221;, la renovaci\u00f3n del pastel (1)"},"content":{"rendered":"<p>He estado esperado poder ver una exposici\u00f3n como esta desde\u2026siempre!<\/p>\n<p>Fue una gran oportunidad poder ver de cerca todos estas preciosas pinturas al pastel, tan bellamente expuestas, todas juntas en un mismo lugar; La <a href=\"https:\/\/www.fundacionmapfre.org\/fundacion\/es_es\/exposiciones\/sala-casa-garriga-nogues\/\">Casa Garriga Nogues de Barcelona<\/a>. Una selecci\u00f3n de docenas de trabajos diferentes; piezas originales de artistas de los \u00faltimos dos siglos, desde Renoir y D\u00e9gas, a Millet, Maru Cassat, Paul Cesar Helleu o Bldini entre otros, y tambi\u00e9n, ver tan diferentes acercamientos a esta t\u00e9cnica, que me sent\u00ed francamente emocionada y conmovida, todo al mismo tiempo.<\/p>\n<p>Dado que no soy curadora o historiadora del arte, decid\u00ed incluir los textos originales de esta exposici\u00f3n. Creo que es un acercamiento muy interesante a este maravilloso medio, y una manera de repensar en cierto modo el pastel&#8230;<\/p>\n<p>Hacia mediados del siglo XVIII, en una amable comedia de la \u00e9poca, <em>Le Retour de l\u00b4ombre <\/em>de Moli\u00e8re del Abate de Voisenon, un personaje se pregunta:<\/p>\n<p><em>\u00bfCrees tu que un Miguel \u00c1ngel o un Rafal, un Tiziano o un Veron\u00e9s deben situar en lugar inmortal los cuadros de un pintor en Pastel?<\/em><\/p>\n<p><em>\u00a0<\/em>Nuestra Mirada hoy est\u00e1 acostumbrada a todas las audacias, todas las libertades, todas las despreocupadas mezclas de t\u00e9cnicas y materiales, y solo vemos en el pastel un medio como otro cualquiera, ni m\u00e1s, ni menos leg\u00edtimo que la tempera, el oleo o la acuarela.<\/p>\n<div id=\"attachment_10178\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10178\" class=\"size-large wp-image-10178\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-4-726x1024.jpg\" alt=\"\" width=\"620\" height=\"874\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-4-726x1024.jpg 726w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-4-213x300.jpg 213w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-4.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10178\" class=\"wp-caption-text\">Paul-C\u00e9sar Helleu, \u201cPortrait de Mathilde S\u00e9e\u201d, 1886, \u00a9photo by Bogra art<\/p><\/div>\n<p>Pensamos que la decisi\u00f3n de recurrir a una u otra t\u00e9cnica \u00fanicamente es fruto del libre albedr\u00edo del artista, olvidando demasiado deprisa que existi\u00f3, &#8211; que a\u00fan existe, si bien en mucha menor medida \u2013 una jerarqu\u00eda de las t\u00e9cnicas, como existi\u00f3 durante mucho tiempo una jerarqu\u00eda de los temas. Toda la historia del pastel est\u00e1 profundamente marcada por ese linaje que determina tanto nuestro juicio como la decisi\u00f3n de los artistas de utilizar, o no, este medio.<\/p>\n<div id=\"attachment_10179\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10179\" class=\"size-large wp-image-10179\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-6-726x1024.jpg\" alt=\"\" width=\"620\" height=\"874\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-6-726x1024.jpg 726w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-6-213x300.jpg 213w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-6.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10179\" class=\"wp-caption-text\">Paul-C\u00e9sar Helleu, \u201cHellen Helleu\u201d Detail, 1893 \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10175\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10175\" class=\"size-large wp-image-10175\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu--804x1024.jpg\" alt=\"\" width=\"620\" height=\"790\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu--804x1024.jpg 804w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu--235x300.jpg 235w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Paul-Cesar-Helleu-.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10175\" class=\"wp-caption-text\">Paul-C\u00e9sar Helleu, \u201cHellen Helleu\u201d, 1893 \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Por ello, esta exposici\u00f3n se propone analizar el lugar del pastel frente a la venerable pintura al oleo, as\u00ed como las razones que llevaron a diversos artistas de los siglos XIX y XX a recurrir a este medio para reivindicarlo. Sin \u00e1nimo exhaustivo, pero desde una perspectiva internacional, la muestra pone de relieve los principales momento y las m\u00e1ximas figuras del renacimiento del pastel en al primera modernidad, un momento que convirti\u00f3 esta t\u00e9cnica en un arte por derecho propio.<\/p>\n<p>Philippe Saunier, Comisario de la Exposici\u00f3n<\/p>\n<div id=\"attachment_10144\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10144\" class=\"wp-image-10144 size-large\" title=\"\u201cPastel painting exhibition\u201d, \u201cTouching Color\u201d, The renewal of Pastel, photo by \u00a9photo by Bogra art studio, 2019\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-1-645x1024.jpg\" alt=\"\" width=\"620\" height=\"984\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-1-645x1024.jpg 645w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-1-189x300.jpg 189w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-1.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10144\" class=\"wp-caption-text\">Pastel painting exhibition, \u201cTouching Color\u201d, Charles L\u00e9andre \u201cLa femme au chien\u201d \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p><strong>\u00bfUn arte femenino?<\/strong><\/p>\n<p>En el imaginario colectivo, el pastel es un arte asociado de manera intr\u00ednseca y algo apresurada al trabajo de las mujeres artista. De hecho, su pr\u00e1ctica trajo desde el siglo XVIII a diversas creadoras, con Rosalba Carriera a la cabeza, en parte porque saben que les resultar\u00e1 dif\u00edcil imponerse en las disciplinas reinas.\u00a0En cambio, no se les discutir\u00e1 la elecci\u00f3n del pastel, el medio mas econ\u00f3mico y menos engorroso que otros considerados \u201cmayores\u201d.<\/p>\n<div id=\"attachment_10146\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10146\" class=\"size-large wp-image-10146\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-5-716x1024.jpg\" alt=\"\" width=\"620\" height=\"887\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-5-716x1024.jpg 716w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-5-210x300.jpg 210w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-5.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10146\" class=\"wp-caption-text\">Charles L\u00e9andre \u201cLa femme au chien\u201d detalle, 1889, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10145\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10145\" class=\"size-large wp-image-10145\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-4jpg-716x1024.jpg\" alt=\"\" width=\"620\" height=\"887\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-4jpg-716x1024.jpg 716w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-4jpg-210x300.jpg 210w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-4jpg.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10145\" class=\"wp-caption-text\">Charles L\u00e9andre \u201cLa femme au chien\u201d detalle, 1889, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10147\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10147\" class=\"size-large wp-image-10147\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-bis-2-1024x684.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-bis-2-1024x684.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-bis-2-300x200.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Charles-Leandre-bis-2.jpg 1498w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10147\" class=\"wp-caption-text\">Charles L\u00e9andre \u201cLa femme au chien\u201d detalle perro, 1889, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Sin abstenerse de practicar la pintura al oleo, numerosas mujeres tienen excepcionales carreras como pastelistas: la belga Berthe Art participa en la fundaci\u00f3n del C\u00edrculo de Acuarelistas y Pastelistas de B\u00e9lgica; su compatriota Louise De Hem obtiene en 1901 una Medalla de Oro en el sal\u00f3n de Par\u00eds; por su parte, la estadounidense Mary Cassat, pronto toma conciencia del valor que tiene este medio y sus pasteles de trazos vigorosos y audaces coloridos modernizan el g\u00e9nero del retrato y el motive recurrente de la maternidad.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10198\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10198\" class=\"wp-image-10198 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-small-0291-839x1024.jpg\" alt=\"\" width=\"620\" height=\"757\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-small-0291-839x1024.jpg 839w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-small-0291-246x300.jpg 246w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-small-0291.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10198\" class=\"wp-caption-text\">Mary Cassat, &#8220;Madre e hija&#8221;, 1900-1914 \u00a0\u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10197\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10197\" class=\"wp-image-10197 size-large\" title=\"Mary Cassat\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-0293-small-683x1024.jpg\" alt=\"\" width=\"620\" height=\"930\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-0293-small-683x1024.jpg 683w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-0293-small-200x300.jpg 200w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Mary-Cassat-0293-small.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10197\" class=\"wp-caption-text\">Mary Cassat, &#8220;Madre e hija&#8221;detalle, 1900-1914 \u00a0\u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Durante mucho tiempo, el recurso al pastel pudo pasar como una elecci\u00f3n por defecto, hasta el gran auge que vive en 1880. Sin embargo la fuerza de los prejuicios har\u00e1 que siendo durante todo el siglo, refugio de temas convencionales y agradable, donde la mujer cobra el papel opuesto al citado, es decir, el de modelo.<\/p>\n<div id=\"attachment_10139\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10139\" class=\"wp-image-10139 size-large\" title=\"\u201cPastel painting exhibition\u201d, \u201cTouching Color\u201d, The renewal of Pastel, photo by \u00a9photo by Bogra art studio, 2019\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Abbema-897x1024.jpg\" alt=\"\" width=\"620\" height=\"708\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Abbema-897x1024.jpg 897w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Abbema-263x300.jpg 263w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Abbema.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10139\" class=\"wp-caption-text\">Louise Abbema, \u201cPortrait d\u00b4une fillette au ruban bleu\u201d 1885, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10163\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10163\" class=\"size-large wp-image-10163\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-2-748x1024.jpg\" alt=\"\" width=\"620\" height=\"849\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-2-748x1024.jpg 748w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-2-219x300.jpg 219w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-2.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10163\" class=\"wp-caption-text\">James Tissot 1836-1902, Pastel sobre tela; \u201cPortrait de Madame Baele\u201d, 1880, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10164\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10164\" class=\"size-large wp-image-10164\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-4-713x1024.jpg\" alt=\"\" width=\"620\" height=\"890\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-4-713x1024.jpg 713w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-4-209x300.jpg 209w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-James-Tissot-4.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10164\" class=\"wp-caption-text\">James Tissot 1836-1902, \u201cPortrait de Madame Baele\u201d detalle, 1880, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>En ese momento proliferan retratos femeninos donde la ociosidad de las ocupaciones (como vemos en <i>Mujer con Perro <\/i>de Charles L\u00e9andre o en <i>El gato negro<\/i>de Louise De Hem) rivaliza con las elegantes poses y los lujosos atuendos con los cuales la burgues\u00eda juega a emular a la nobleza idealizada.<\/p>\n<div id=\"attachment_10169\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10169\" class=\"size-large wp-image-10169\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem-2--1024x743.jpg\" alt=\"\" width=\"620\" height=\"450\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem-2--1024x743.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem-2--300x218.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem-2-.jpg 1378w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10169\" class=\"wp-caption-text\">Louise de Hem 1866-1922, \u201cLe chat noir\u201d detalle, 1902, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10168\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10168\" class=\"wp-image-10168 size-large\" title=\"Louise de Hem 1866-1922, \u201cLe chat noir\u201d detail 1902, \u00a9photo by Bogra art studio, 2019\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem--1024x792.jpg\" alt=\"\" width=\"620\" height=\"480\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem--1024x792.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem--300x232.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Louise-de-Hem-.jpg 1293w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10168\" class=\"wp-caption-text\">Louise de Hem 1866-1922, \u201cLe chat noir\u201d 1902, \u00a9photo by Bogra art studio, 2019<\/p><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>He estado esperado poder ver una exposici\u00f3n como esta desde\u2026siempre! Fue una gran oportunidad poder ver de cerca todos estas preciosas pinturas al pastel, tan bellamente expuestas, todas juntas en un mismo lugar; La Casa Garriga Nogues de Barcelona. Una selecci\u00f3n de docenas de trabajos diferentes; piezas originales de artistas de los \u00faltimos dos siglos, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":10177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[1,110,121,145,174,176,212,234,251,252,272,277,284],"tags":[298,299,79,300,82,301,88,302,96,303,97,304,100,305,101,106,112,120,124,125,179,262],"class_list":["post-10137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","category-pastel-portrait","category-colours","category-museum","category-art-exhibition","category-painting-exhibition","category-children-portrait","category-pastel-colors","category-drawing","category-portraiture","category-exhibition","category-france","category-history","tag-giovani-boldini","tag-renoir","tag-pastel-painting","tag-degas","tag-color-portrait","tag-casa-garriga-nogues","tag-learning-pastel","tag-mary-cassat","tag-drawing","tag-paul-cesar-helleu","tag-painting","tag-18thcentury","tag-portraiture","tag-pastel-paintings","tag-technique","tag-portraits","tag-history","tag-institutional-portrait","tag-colours","tag-art","tag-exhibition","tag-art-exhibition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exposici\u00f3n de Pastel, &quot;Tocar el color&quot;, la renovaci\u00f3n del pastel (1) - Pastel Portraits<\/title>\n<meta name=\"description\" content=\"(English) I have been waiting for an exhibition like this since.\u2026always! It was a great opportunity to be able to see all these amazing pastel paintings together in\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/portraitonpastel.com\/es\/pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exposici\u00f3n de Pastel, &quot;Tocar el color&quot;, la renovaci\u00f3n del pastel (1) - Pastel Portraits\" \/>\n<meta property=\"og:description\" content=\"(English) I have been waiting for an exhibition like this since.\u2026always! 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