{"id":10240,"date":"2019-12-11T15:27:02","date_gmt":"2019-12-11T15:27:02","guid":{"rendered":"https:\/\/portraitonpastel.com\/?p=10240"},"modified":"2019-12-11T15:27:02","modified_gmt":"2019-12-11T15:27:02","slug":"pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel-3","status":"publish","type":"post","link":"https:\/\/portraitonpastel.com\/es\/pastel-painting-exhibition-touching-the-color-the-renewal-of-pastel-3\/","title":{"rendered":"Pastel painting exhibition; \u201cTouching the color, The renewal of Pastel\u201d (3)"},"content":{"rendered":"<p><strong>El Impresionismo, un renacer<\/strong><\/p>\n<p>Entre los artistas c\u00e9lebres por su uso del pastel, se incluye a menudo a los impresionistas. Este material c\u00f3modo, que permite un trabajo r\u00e1pido y al aire libre, es del todo compatible con su est\u00e9tica. Sin embargo, los impresionistas mas apasionados del pastel tienen una verdadera predilecci\u00f3n por la representaci\u00f3n de la figura humana.<\/p>\n<div id=\"attachment_10149\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10149\" class=\"wp-image-10149 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-1-1024x675.jpg\" alt=\"\" width=\"620\" height=\"409\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-1-1024x675.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-1-300x198.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-1.jpg 1516w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10149\" class=\"wp-caption-text\">Edgar Degas 1834-1917, \u201cDespu\u00e9s del Ba\u00f1o\u201d, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10151\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10151\" class=\"wp-image-10151 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-3-1024x692.jpg\" alt=\"\" width=\"620\" height=\"419\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-3-1024x692.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-3-300x203.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-3.jpg 1480w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10151\" class=\"wp-caption-text\">Edgar Degas 1834-1917, \u201cDespues del Ba\u00f1o\u201d detalle, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10150\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10150\" class=\"wp-image-10150 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2-1024x692.jpg\" alt=\"\" width=\"620\" height=\"419\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2-1024x692.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2-300x203.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2.jpg 1480w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10150\" class=\"wp-caption-text\">Edgar Degas 1834-1917, \u201cDespues del Ba\u00f1o\u201d detalle, 1893, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Ocurre con un artista que mantiene una relaci\u00f3n tangencial con esta tendencia: Giuseppe De Nittis, cuyas elegantes escenas ba\u00f1adas por la luz de un jard\u00edn soleado o bajo el cielo gris de un parquet oto\u00f1al cosechan gran \u00e9xito y arramblan con todos los honores ante las narices de sus amigos impresionistas.<\/p>\n<div id=\"attachment_10244\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10244\" class=\"wp-image-10244 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2jpg-814x1024.jpg\" alt=\"\" width=\"620\" height=\"780\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2jpg-814x1024.jpg 814w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Edgar-Degas-2jpg-239x300.jpg 239w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10244\" class=\"wp-caption-text\">Edgar Degas (1834-1917) \u201cNelly Infeliz\u201d, 1885, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Edgar D\u00e9gas tambi\u00e9n explora la vida moderna (escenas de caf\u00e9-teatro, ballets en la Opera, planchadoras, etc\u2026) pero sin conocer el mismo \u00e9xito.<\/p>\n<div id=\"attachment_10180\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10180\" class=\"wp-image-10180 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir--1024x721.jpg\" alt=\"\" width=\"620\" height=\"437\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir--1024x721.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir--300x211.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir-.jpg 1421w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10180\" class=\"wp-caption-text\">Pierre-Auguste Renoir (1841-1919), \u201cNi\u00f1o con Manzana o Gabrielle, Jean Renoir y Peque\u00f1a ni\u00f1a\u201d, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10181\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10181\" class=\"wp-image-10181 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir-2-1024x721.jpg\" alt=\"\" width=\"620\" height=\"437\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir-2-1024x721.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir-2-300x211.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Pierre-Auguste-Renoir-2.jpg 1421w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10181\" class=\"wp-caption-text\">&#8220;Ni\u00f1o con Manzana o Gabrielle, Jean Renoir y Peque\u00f1a ni\u00f1a\u201d, \u00a9photo by Bogra<\/p><\/div>\n<p>Herido en lo mas vivo responder\u00e1 a su colega italiano, ya fallecido, con su famosa serie de desnudos femeninos, cuya trivialidad se opone a la apuesta por la elegancia que otorg\u00f3 tanto \u00e9xito a De Nittis. Esta utilizaci\u00f3n del pastel es mucho mas transgresora e ilustra a la perfecci\u00f3n el famoso adagio de D\u00e9gas: \u201cLa gracia est\u00e1 en lo com\u00fan\u201d.<\/p>\n<div id=\"attachment_10187\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10187\" class=\"wp-image-10187 size-large\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Renoir--1024x994.jpg\" alt=\"\" width=\"620\" height=\"602\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Renoir--1024x994.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Renoir--300x291.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Renoir-.jpg 1030w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10187\" class=\"wp-caption-text\">Pierre-Auguste Renoir (1841-1919), \u201cEl Palco\u201d 1879, \u00a9photo by Bogra art studio<\/p><\/div>\n<p>Toma alguna vez los pasteles para ejecutar con mano \u00e1gil efigies cargadas de encanto. Renoir, cuya pasion por el siglo XVIII es notoria, reencuentra con este medio la alegr\u00eda de sus ilustres precursores, que, al igual que \u00e9l, manejaban los pasteles con aparente desenvoltura.<\/p>\n<div id=\"attachment_10160\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10160\" class=\"size-large wp-image-10160\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-1--1024x737.jpg\" alt=\"\" width=\"620\" height=\"446\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-1--1024x737.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-1--300x216.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-1-.jpg 1390w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10160\" class=\"wp-caption-text\">Henry Tonks (1862-1937), \u201cEl Ba\u00f1o\u201d, 1914, \u00a9photo by Bogra 2019<\/p><\/div>\n<div id=\"attachment_10161\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10161\" class=\"size-large wp-image-10161\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-2--1024x680.jpg\" alt=\"\" width=\"620\" height=\"412\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-2--1024x680.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-2--300x199.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Henry-Tonks-2-.jpg 1505w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10161\" class=\"wp-caption-text\">Henry Tonks (1862-1937), \u201cEl Ba\u00f1o\u201d detalle, 1914, \u00a9photo by Bogra 2019<\/p><\/div>\n<p><strong>El Siglo XX: Del s\u00edmbolo al gesto.<\/strong><\/p>\n<p>La aplicaci\u00f3n del pastel en los inicios del siglo XX no puede entenderse sin el magisterio de Odilon Redon ni sin esa espiritualidad difusa del tardosimblismo de la que surge parte del lenguaje de las vanguardias: Joseph stella, el primer Theo van Doesburg, Otto Freundlich o Joaquim Mir muestran c\u00f3mo el lenguaje transnacional del fin de siglo se asienta en el pastel y anuncia la abstracci\u00f3n.<\/p>\n<div id=\"attachment_10174\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10174\" class=\"size-large wp-image-10174\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odilion-841x1024.jpg\" alt=\"\" width=\"620\" height=\"755\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odilion-841x1024.jpg 841w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odilion-246x300.jpg 246w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odilion.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10174\" class=\"wp-caption-text\">Odilon Redon (1840-1916) \u201cFlores\u201d, 1909, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10172\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10172\" class=\"size-large wp-image-10172\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odile-Redon-2-1024x721.jpg\" alt=\"\" width=\"620\" height=\"437\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odile-Redon-2-1024x721.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odile-Redon-2-300x211.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Odile-Redon-2.jpg 1421w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10172\" class=\"wp-caption-text\">Odilon Redon (1840-1916) \u201cFlores\u201d, 1909, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10245\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10245\" class=\"size-large wp-image-10245\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Odile-Redon--1024x721.jpg\" alt=\"\" width=\"620\" height=\"437\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Odile-Redon--1024x721.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Odile-Redon--300x211.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10245\" class=\"wp-caption-text\">Odilon Redon (1840-1916) \u201cFlores\u201d, 1909, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n<p>Estos creadores se distancian del debate sobre la jerarqu\u00eda de las t\u00e9cnicas: el pastel no est\u00e1 revestido de mayor ni menor nobleza, sencillamente facilita la enunciaci\u00f3n de un mensaje determinado.<\/p>\n<div id=\"attachment_10166\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10166\" class=\"size-large wp-image-10166\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joaquim-Mir-2-1024x774.jpg\" alt=\"\" width=\"620\" height=\"469\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joaquim-Mir-2-1024x774.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joaquim-Mir-2-300x227.jpg 300w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joaquim-Mir-2.jpg 1342w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10166\" class=\"wp-caption-text\">Joaquim Mir (1873-1940), \u201cPaisaje\u201d 1900-1903, photo by \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>Ese es el sentido que cobra en las obras del Pablo Picasso cl\u00e1sico, como Estudio de manos, o el de Pablo Gargallo, en La segadora, donde apoya las texturas d\u00e9rmicas y aporta una dulzura y una riqueza crom\u00e1tica recuperadas tras el cubismo.<\/p>\n<div id=\"attachment_10165\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10165\" class=\"size-large wp-image-10165\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joan-Miro-713x1024.jpg\" alt=\"\" width=\"620\" height=\"890\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joan-Miro-713x1024.jpg 713w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joan-Miro-209x300.jpg 209w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Joan-Miro.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10165\" class=\"wp-caption-text\">Joan Mir\u00f3 (1893-1983) \u201cFigura\u201d 1934, The renewal of Pastel, \u00a9photo by Bogra art studio, 2019<\/p><\/div>\n<p>De manera desprejuiciada, tambi\u00e9n Joan Mir\u00f3 recurre al pastel: d\u00e9cadas despu\u00e9s de la juvenil <em>Bosque de Bellver, <\/em>regresa al medio en el cap\u00edtulo fundamental de las pinturas salvajes de 1934 , contraimagen de los retratos elegantes al pastel del siglo anterior.<\/p>\n<div id=\"attachment_10247\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10247\" class=\"size-large wp-image-10247\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Roberto-Matta-2-1024x775.jpg\" alt=\"\" width=\"620\" height=\"469\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Roberto-Matta-2-1024x775.jpg 1024w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Roberto-Matta-2-300x227.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10247\" class=\"wp-caption-text\">Roberto Matta (1911-2002) \u201cL`Opresavio y L\u00b4Opresente\u201d, 1986, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n<p>Mientras que compa\u00f1eros de filas, como Roberto Matta o Andr\u00e9 Masson, recuerdan que el surrealismo encontr\u00f3 en el pastel uno de los modos de traspasar a la pintura la relaci\u00f3n entre mano y l\u00e1piz propia de la escritura autom\u00e1tica.<\/p>\n<div id=\"attachment_10171\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10171\" class=\"size-large wp-image-10171\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Marie-Blanchard-2-745x1024.jpg\" alt=\"\" width=\"620\" height=\"852\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Marie-Blanchard-2-745x1024.jpg 745w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Marie-Blanchard-2-218x300.jpg 218w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Marie-Blanchard-2.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10171\" class=\"wp-caption-text\">Marie Blanchard (1881-1932) \u201cLa Bretonne\u201d, 1928, photo by \u00a9Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10243\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10243\" class=\"size-large wp-image-10243\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-4-766x1024.jpg\" alt=\"\" width=\"620\" height=\"829\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-4-766x1024.jpg 766w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/12\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-4-224x300.jpg 224w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10243\" class=\"wp-caption-text\">Am\u00e9d\u00e9e Ozenfant (1886-1966) \u201cNaturaleza Muerta en \u00d3valo\u201d, 1925, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n<div id=\"attachment_10143\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10143\" class=\"size-large wp-image-10143\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-3-850x1024.jpg\" alt=\"\" width=\"620\" height=\"747\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-3-850x1024.jpg 850w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-3-249x300.jpg 249w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-Amadee-Ozefant-3.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10143\" class=\"wp-caption-text\">Am\u00e9d\u00e9e Ozenfant (1886-1966) \u201cNaturaleza muerta\u201d, 1925, photo \u00a9Bogra art studio, 2019<\/p><\/div>\n<p>Un v\u00ednculo que tiene su acento final en Hans Hartung, que reactiva el pastel como pintura donde la graf\u00eda personal, ensayada previamente, revierte la idea de automatismo mediante un ejercicio ritual de repetici\u00f3n. Hartung ejemplifica as\u00ed c\u00f3mo los artistas del siglo XX <em>tocaron el color <\/em>con gestos de la mano iconoclastas y m\u00faltiples hasta conseguir expandir las fronteras del pastel, liberado ya de prejuicios, emancipando de su propia historia.<\/p>\n<div id=\"attachment_10156\" style=\"width: 630px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10156\" class=\"size-large wp-image-10156\" src=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-George-Hendrick-806x1024.jpg\" alt=\"\" width=\"620\" height=\"788\" srcset=\"https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-George-Hendrick-806x1024.jpg 806w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-George-Hendrick-236x300.jpg 236w, https:\/\/portraitonpastel.com\/wp-content\/uploads\/2019\/11\/Touching-Color-exhibition-Bogra-blog-George-Hendrick.jpg 1000w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><p id=\"caption-attachment-10156\" class=\"wp-caption-text\">George Hendrik Breitner, \u201cDos Criadas de Amsterdam\u201d, 1892, photo by \u00a9Bogra , 2019<\/p><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>El Impresionismo, un renacer Entre los artistas c\u00e9lebres por su uso del pastel, se incluye a menudo a los impresionistas. Este material c\u00f3modo, que permite un trabajo r\u00e1pido y al aire libre, es del todo compatible con su est\u00e9tica. Sin embargo, los impresionistas mas apasionados del pastel tienen una verdadera predilecci\u00f3n por la representaci\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":10156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[110,145,174,176,252,272,277,284,292],"tags":[317,80,82,83,91,100,112,125,179,198,299,300,314,315,316],"class_list":["post-10240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pastel-portrait","category-museum","category-art-exhibition","category-painting-exhibition","category-portraiture","category-exhibition","category-france","category-history","category-pastel-painting","tag-pastel-exhiibit","tag-drawing-portraits","tag-color-portrait","tag-handmade-painting","tag-pastel-portraits","tag-portraiture","tag-history","tag-art","tag-exhibition","tag-museum","tag-renoir","tag-degas","tag-impressionist-painters","tag-impressionisme","tag-odilon-redon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pastel painting exhibition; \u201cTouching the color, The renewal of Pastel\u201d (3) - Pastel Portraits<\/title>\n<meta name=\"description\" content=\"(English) Among artists renowned for their use of soft pastel, impressionists are frequently included. 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